【Audio System Configuration – Summer 2011】
Main System|Sub System
It feels like I haven’t written a single audio entry since restarting this little Hi-Fi blog, so I thought it might be time to introduce where things currently stand with the AudioStyle author’s Hi-Fi and PC audio setup.

As of 2011… here is a rough overview of the audio systems currently at home…
Something like that. There are actually quite a few other pieces of gear that didn’t make the cut and have been quietly retired, sitting stacked in some corner of a room — or perhaps not. I say this myself, but: just how much audio equipment does one person need… That said, since I have a preference for small, compact products, I own almost nothing that would be called high-end — none of those ultra-luxury or large, heavy items. And that, I keep telling myself, is precisely why I manage to get by at all.
The basic concept behind all of these compact systems is the same: cheap, small, and soft. The “soft” part — I’m not entirely sure what I mean by it myself, so please don’t worry about it. What matters more is musicality — that is the crucial thing. With audio, musicality comes first; sound quality, honestly, is secondary. The goal is that once you put on a CD, the music becomes so enjoyable you simply cannot stop.
And then there is the appeal as gadgets, perhaps? Tastes will naturally vary, but particularly with Hi-Fi components, I do love that quality — a restrained sense of luxury and refinement that works as interior décor and furniture alike, beautiful even as the years pass and things grow a little worn. That is the kind of atmosphere I am drawn to.
In the case of desktop PC audio, there is the added constraint of having a PC and monitor present, so the priorities shift somewhat: being even more compact than the small Hi-Fi systems, and being well suited to mixed audio-visual use — music, voice, sound effects and the like — at low volume and lower bit rates on a computer.
As a way of keeping Hi-Fi and PC audio completely separate while still connecting them, I have been thinking it would be nice if something like a network audio player or iPod dock — ideally one capable of wireless digital transfer — could be added to allow the two worlds to coexist, those two that really ought not to be mixed. For now, though, it remains at the stage of an idea forming in my head. The YAMAHA NP-S2000, with its slim design that I rather like, would solve the problem in one go — except that the price is, well… That said, as a realistic option for emerging from the Urashima Tarō state of being two years out of the loop, the ONKYO DAC-1000 might be the more sensible choice.
Right, that is quite enough preamble — from the next entry onward, I will be introducing the sound system setups across systems 1) through 7).
【Audio System Configuration – Summer 2011】
Main System|Sub System
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List of comments (4)
はじめまして。やはりVienna Acoustics のスピーカーを所有してらしたのですね!
私はDALIのMENUETT SE をデスクトップオーディオで使用しているのですが、そちらから検索にかかりまして、以後時々こちらを拝見させていただいておりました。
私もこの度メインシステムに念願のVienna Acousticsを導入したのですが、管理人様がメインシステムをお持ちというのはどちらかの記事で拝見しておりまして、一体どちらのスピーカーを使っているのかなぁ(つまみ読みですみません!)と思いながら記事を読んでいるうちに、Vienna Acoustics がお好きなタイプの方じゃないかなぁと思っておりました。
ですのでちょっと嬉しくなった次第です!
コメントありがとうございます…( ੭ ・ᴗ・ )੭
うちのメインシステムのスピーカーは2000年に購入した初代T-2で、
現地でMozart Signatureと呼ばれていたモデルです。既に23年ものですが
心底気に入ってしまい、そのまま使い続けています。
ご返信ありがとうございます。
私はT-2は聞いたことがないのですが、現在は生産終了しましたが店舗在庫に残っているMozart Grand Symphony Edition は何回も試聴しました。結局は別のモデルにしましたがMozart G SEは弦やSAXの艶が本当に素晴らしくて最後まで悩みに悩みました。
Referenceシリーズになって以前ほどの艶はなくなったかもしれませんが Signatureもきっと良いスピーカーなのでしょうね。
こちらのサイトは音楽やオーディオのとの付き合い方が私と似ているような気がしていますので、今後も拝見させて頂きますね!
>こちらのサイトは音楽やオーディオのとの付き合い方が私と似ているような気がしていますので、今後も拝見させて頂きますね!
お気楽に愉しんでいただければ幸いです…( ੭ ・ᴗ・ )੭